Additional directing highlights include the world premiere of Missy Mazzoli and Royce Vavrek’s Proving Up (Washington National Opera), as well as new productions of The Manchurian Candidate (Austin Opera), Orpheus in the Underworld (New Orleans Opera), Abduction from the Seraglio (Madison Opera), Trouble in Tahiti (Opera Santa Barbara), and a genre-bending triple bill of rarities for Bard Conservatory (Pulcinella, Full Moon in March, and Svadba).

Committed to contemporary American repertoire, Alison has workshopped pieces by David Hertzberg and Rene Orth for Opera Philadelphia, created new productions of The Tender Land, Our Town, Hydrogen Jukebox, Cabildo, and Gallantry, and presented staged concerts for IlluminArts Miami and New York Festival of Song. In 2015, Alison Moritz and her design team won the Opera American Director-Designer Showcase for their presentation on Marc Blitzstein's Cradle Will Rock.

Previously, Alison served as the Resident Assistant Director at both the Minnesota Opera and The Atlanta Opera. Her professional credits include engagements with Santa Fe Opera, Seattle Opera, Opera Theatre of St. Louis, Wolf Trap Opera, Opera Memphis, and Chautauqua Opera. As a teacher and guest director, Alison has taught at Eastman School of Music, Maryland Opera Studio, Crane School of Music, and for Steven Blier and Caramoor’s Vocal Rising Stars program. She continues her ongoing collaborations with innovative orchestras The Knights and Contemporaneous.

Alison has worked and trained with companies such as the SITI Company of New York City, OPERA America, Geva Theatre Center, Third Rail Projects, Nautilus Music Theater, and Shakespeare Festival St. Louis. She holds a B.A. in Music and Art History from Washington University in St. Louis and an M.M. from Eastman School of Music, and was the recipient of the 2015-2016 SDCF/Kurt Weill Foundations Fellowship. Alison is based in New York City and St. Louis, Missouri.