Opera is...

Blue and white duotone image of Alison Moritz looking into the camera with a determined expression.

Opera is...



Directing Highlights

Check out some of Alison’s recent work for the operatic stage, including her debut directing live action in Virtual Reality!

Alison Moritz looking into the camera with a determined expression.

Meet Alison

Stage director Alison Moritz is quickly garnering a reputation for both incisive takes on contemporary American opera and innovative interpretations of the classic repertoire.

Alison Moritz’s productions have been lauded as “raw, funny, surreal, and disarmingly human” by Opera News. Upcoming projects include world premieres for the Glimmerglass Festival, Experiments in Opera and Contemporaneous, as well as a radical reimagining of Johann Georg Reutter’s 1731 opera La Pacienza di Socrate. Having begun her professional career in academia at Eastman School of Music, Alison is thrilled to join the Peabody Institute as the Interim Managing Artistic Director of the opera department.

Her diverse 2019-2020 season included mainstage debuts at Lyric Opera of Kansas City, Opera Omaha, the Ravinia Festival, and Rice University. Other recent directing highlights include the world premieres of Proving Up (Mazzoli/Vavrek; Washington National Opera), Taking Up Serpents (Sankaram/Dye; Washington National Opera), Chunky in Heat (Experiments in Opera, NYC), and Penelope (Snider/McLaughlin; new performing edition for Lyric Opera of Kansas City). Her production of Bernstein’s Candide was featured at the 2018 Tanglewood Festival as part of the composer’s centennial celebration, and won several regional awards (including Best Director).

Additional directing highlights include new productions of The Manchurian Candidate (Puts/Campbell; Austin Opera), Orpheus in the Underworld (New Orleans Opera), Abduction from the Seraglio (Madison Opera), Trouble in Tahiti (Opera Santa Barbara), and a genre-bending triple bill of rarities for Bard Conservatory (Pulcinella, Full Moon in March, and Svadba). Alison also recently directed productions of La Traviata (Opera Colorado), La Bohème (Austin Opera), and Madama Butterfly (Central City Opera). In fall of 2020, she made her first foray into the world of VR directing Miranda (Sankaram/Reese; co-produced by LUMA Projection Festival and Tri-Cities Opera).

Committed to contemporary American repertoire, Alison has workshopped pieces by David Hertzberg and Rene Orth for Opera Philadelphia, created new productions of The Tender Land, Our Town, Hydrogen Jukebox, Cabildo, and Gallantry, and presented staged concerts for IlluminArts Miami and New York Festival of Song. In 2015, Alison and her design team won the Opera American Director-Designer Showcase for their presentation on Marc Blitzstein's Cradle Will Rock.

Previously, Alison served as the Resident Assistant Director at both the Minnesota Opera and The Atlanta Opera. Her professional credits include engagements with Santa Fe Opera, Seattle Opera, Opera Theatre of St. Louis, Wolf Trap Opera, Opera Memphis, and Chautauqua Opera. As a teacher and guest director, Alison has taught at Rice University, Bard Conservatory, Eastman School of Music, Maryland Opera Studio, Crane School of Music, and for Steven Blier and Caramoor’s Vocal Rising Stars program. She continues her ongoing collaborations with innovative orchestras The Knights and Contemporaneous and her affiliation with the Kurt Weill Foundation.

Alison has worked and trained with companies such as the SITI Company of New York City, OPERA America, Geva Theatre Center, Third Rail Projects, Nautilus Music Theater, and Shakespeare Festival St. Louis. She holds a B.A. in Music and Art History from Washington University in St. Louis and an M.M. from Eastman School of Music, and was the recipient of the 2015-2016 SDCF/Kurt Weill Foundations Fellowship.


"Alison Moritz directs the evening, and her use of the Williams Stables space is both sensitive and bold. She presents the two operas, the nostalgic dream fantasy and the broad soap opera comedy, with obvious care and affection, placing her singer-actors in the best light..."

Opera is...

  • imagination.
  • social.
  • progressive.
  • theatre.

Her Schedule

Upcoming imaginative and entertaining productions, with links to related companies.

  • Black and white image of a theatre across a pond



    New Production for the Glimmerglass Festival

    Watch this space! Alison is thrilled to be making her directorial debut at the Glimmerglass Festival - details to be announced soon.

  • Black and white image of an airplane flying overhead with trails behind each wing


    Portrait and a Dream

    World Premiere for Contemporaneous

    Portrait and a Dream is a new opera about the life work of Jackson Pollock, commissioned for Contemporaneous’ first ever Day of Imagination. Using interviews and taped conversations with Pollock, composer Brian Petuch has invented a new genre of bio-opera, dense in its symbolism, yet starkly objective. Director Alison Moritz teams up with designer Magnus Pind to bring the visual and dramatic world of this unique piece to life.

  • Black and white image of the back of a woman's head, her hair is blowing in the wind and she is facing a body of water


    Everything for Dawn

    World Premiere for Experiments in Opera

    Everything for Dawn is a 10-episode serial opera that tells the story of a young woman confronting her father’s legacy as an outsider artist.  Scripted in an unusual “writers' room” format, this opera will feature work by ten composers, culminating in an ambitious three-part work tracing art and trauma through multiple generations of an American family. Alison Moritz returns Experiments in Opera following her success with 2019’s Chunky in Heat, named one of the best opera events of the year by Operawire.


Get in touch! Feel free to message Alison directly. If you like pictures of coffee shops and tech tables, you can also follow Alison on Instagram!

General Management



Send a message

Let's connect! Contact Alison directly using the email address or form below.