Opera is...

Opera is...



Blue and white duotone image of Alison Moritz looking into the camera with a determined expression.
  • visceral
  • gripping
  • entertaining

20/21 Season News

Coming this fall, Alison makes her debut in Virtual Reality with MIRANDA, co-produced by Opera Omaha, the LUMA Projection Festival, and Tri-Cities Opera.

Alison Moritz looking into the camera with a determined expression.

Meet Alison

Stage Director Alison Moritz is quickly garnering a reputation for incisive takes on contemporary American opera and innovative interpretations of the classic repertoire.

Alison Moritz’s productions have been lauded as “raw, funny, surreal, and disarmingly human” by Opera News. Upcoming 2020-2021 projects include world premieres for the Glimmerglass Festival, Experiments in Opera and Contemporaneous, as well as new productions for Chicago Opera Theatre and Opera Santa Barbara. In fall of 2020, Alison makes her first foray into the world of VR directing Miranda - a dystopian satire imagining an alternative American legal system (Sankaram/Reese; co-produced by LUMA Projection Festival, Opera Omaha, and Tri-Cities Opera). 

Her diverse 2019-2020 season included mainstage debuts at Lyric Opera of Kansas City, Opera Omaha, Ravinia Festival, and Rice University. Other recent directing highlights include the world premieres of Proving Up (Mazzoli/Vavrek; Washington National Opera), Taking Up Serpents (Sankaram/Dye; Washington National Opera), Chunky in Heat (Experiments in Opera, NYC), and Penelope (Snider/McLaughlin; new performing edition for Lyric Opera of Kansas City). Her production of Bernstein’s Candide was featured at the 2018 Tanglewood Festival as part of the composer’s centennial celebration, and won several regional awards (including Best Director).

Additional directing highlights include new productions of The Manchurian Candidate (Puts/Campbell; Austin Opera), Orpheus in the Underworld (New Orleans Opera), Abduction from the Seraglio (Madison Opera), Trouble in Tahiti (Opera Santa Barbara), and a genre-bending triple bill of rarities for Bard Conservatory (Pulcinella, Full Moon in March, and Svadba). Alison also recently directed productions of La Traviata (Opera Colorado), La Bohème (Austin Opera), and Madama Butterfly (Central City Opera).

Committed to contemporary American repertoire, Alison has workshopped pieces by David Hertzberg and Rene Orth for Opera Philadelphia, created new productions of The Tender Land, Our Town, Hydrogen Jukebox, Cabildo, and Gallantry, and presented staged concerts for IlluminArts Miami and New York Festival of Song. In 2015, Alison Moritz and her design team won the Opera American Director-Designer Showcase for their presentation on Marc Blitzstein's Cradle Will Rock.

Previously, Alison served as the Resident Assistant Director at both the Minnesota Opera and The Atlanta Opera. Her professional credits include engagements with Santa Fe Opera, Seattle Opera, Opera Theatre of St. Louis, Wolf Trap Opera, Opera Memphis, and Chautauqua Opera. As a teacher and guest director, Alison has taught at Eastman School of Music, Maryland Opera Studio, Crane School of Music, and for Steven Blier and Caramoor’s Vocal Rising Stars program. She continues her ongoing collaborations with innovative orchestras The Knights and Contemporaneous.

Alison has worked and trained with companies such as the SITI Company of New York City, OPERA America, Geva Theatre Center, Third Rail Projects, Nautilus Music Theater, and Shakespeare Festival St. Louis. She holds a B.A. in Music and Art History from Washington University in St. Louis and an M.M. from Eastman School of Music, and was the recipient of the 2015-2016 SDCF/Kurt Weill Foundations Fellowship. Alison is based in New York City.

Her Schedule

See Alison’s schedule of imaginative and entertaining productions, with links to related companies.

  • A black and white image of the top of a large circus tent.



    Ravinia Festival

    Aug 28, 2019

    Alison Moritz Directs Bernstein’s Masterpiece

    Bernstein’s operatic masterpiece is presented at the Ravinia Festival. This production appeared last season at the Tanglewood Festival, winning several regional theatre awards including Best Director, Best Choreographer, and Best Costumes.

  • Black and white image of dozens of linen-covered dining tables set outdoors under palm trees.


    The Abduction from the Seraglio

    Lyric Opera of Kansas City

    Sep 21, 25, 27, 29, 2019

    New Production for Lyric Opera of Kansas City

    Inspired by film classics such as Casablanca and Road to Morocco, Alison Moritz dreams up a fresh take on Mozart’s perennial classic. Scenic designer Steven Kemp sets the action in LA’s Cocoanut Grove. Be prepared for hijinks to ensue!

  • A black and white image of the Nebraska countryside.


    Proving Up

    Rice University

    Nov 1, 3, 5, 2019

    New Production

    A group of Nebraska families struggles to claim their land under the Homestead Act in this opera from composer Missy Mazzoli and librettist Royce Vavrek, based on a coming-of-age short story by Karen Russell. Alison continues her work on this project, having directed the world premiere at Washington National Opera in January 2018.


"Alison Moritz directs the evening, and her use of the Williams Stables space is both sensitive and bold. She presents the two operas, the nostalgic dream fantasy and the broad soap opera comedy, with obvious care and affection, placing her singer-actors in the best light..."

Opera is...

  • imagination.
  • social.
  • progressive.
  • theatre.


Get in touch! Feel free to message Alison directly. If you like pictures of coffee shops and tech tables, you can also follow Alison on Instagram!

General Management



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