Photo: J. Osber

Stage Director Alison Moritz’s recent productions have been lauded as “astute,” “imaginative,” and “elegantly sexy” by Opera News, and she is quickly garnering a reputation for incisive takes on contemporary American operas and innovative interpretations of the classic repertoire.

Alison’s 2018-2019 season includes company debuts at Opera Colorado (La Traviata), Lyric Opera of Kansas City (Sarah Kirkland Snider’s Penelope), Ravinia, and Experiments in Opera. She returns to Washington National Opera for the world premiere of Taking Up Serpents (composed by Kamala Sankaram, libretto by Jerre Dye) and to New Orleans Opera for a new production of Abduction from the Seraglio. Later this season, Alison also helms productions of La Bohème and Madama Butterfly for Austin Opera and Central City Opera.

Recent directing highlights include the world premiere of Missy Mazzoli and Royce Vavrek’s Proving Up (Washington National Opera), as well as new productions of Candide (Tanglewood), The Manchurian Candidate (Austin Opera), Orpheus in the Underworld (New Orleans Opera), Abduction from the Seraglio (Madison Opera), Trouble in Tahiti (Opera Santa Barbara), and a genre-bending triple bill of rarities for Bard Conservatory (Pulcinella, Full Moon in March, and Svadba).

Committed to contemporary American repertoire, Alison has workshopped pieces by David Hertzberg and Rene Orth for Opera Philadelphia, created new productions of The Tender Land, Our Town, Hydrogen Jukebox, Cabildo, and Gallantry, and presented staged concerts for IlluminArts Miami and New York Festival of Song. Recently, the Austin Chronicle named Alison's production of The Manchurian Candidate the #1 Classical Music/Dance event of 2016, and the production received seven Austin Critic's Award Nominations and four wins (including "Best Opera Production”).

Previously, Alison served as the Resident Assistant Director at both the Minnesota Opera and The Atlanta Opera. Her professional credits include engagements with Santa Fe Opera, Seattle Opera, Opera Theatre of St. Louis, Wolf Trap Opera, Central City Opera, Opera Memphis, and Chautauqua Opera. As a teacher and guest director, Alison has taught at Eastman School of Music, Maryland Opera Studio, Crane School of Music, and for Steven Blier and Caramoor’s Vocal Rising Stars program. She continues her ongoing collaborations with both The Knights and the Resonant Bodies Festival.

Alison has worked and trained with companies such as the SITI Company of New York City, OPERA America, Geva Theatre Center, Third Rail Projects, Nautilus Music Theater, and Shakespeare Festival St. Louis. She holds a B.A. in Music and Art History from Washington University in St. Louis and an M.M. from Eastman School of Music, and was the recipient of the 2015-2016 recipient of the SDCF/Kurt Weill Foundation Fellowship. Alison is based in New York City and St. Louis, Missouri.